Whatever the date of composition, the press reported that the miniature had been submitted to an international competition held by La maison de Smit (Le petit comtois, 4 Sept. 1924) and that a jury chaired by Paul Vidal selected Chanson slave for publication and inclusion in an ‘abonnement musical’, i.e. subscription programme (along with twenty-three other pieces).
This bipartite miniature (Moderato and Refrain, d’apres un populaire motif Slave), rooted in traditional major-minor tonality, resembles a nineteenth-century salon dance with motifs that suggest South-Eastern Slav folklore.