Kwartalnik Muzyczny [Musical Quarterly], the official journal of the Society of Early Music Enthusiasts dedicated to music theory, history, and ethnography, was a revival of the periodical originally established by Henryk Opieński in 1911.

The journal was reinstated through the initiative of Warsaw's Society of Early Music Enthusiasts, who invited Adolf Chybiński, head of one of Poland's two musicological departments at that time, from Lwów to serve as editor. 

The journal was printed at Władysław Łazarski's printing establishment, located at 7/9 Złota Street in Warsaw.

The first issue of this monthly periodical, founded and edited by Mateusz Gliński, was published in 1924. According to its prospectus (1924), the journal's mission was:

to unite all healthy currents of our musical life under the banner of culture and progress. It does not belong to any camp, party, or coterie. Its interest in modern musical trends is combined with reverence for the past and respect for every serious artistic endeavor stemming from genuine love of art; its pursuit to connect Poland's musical life with European artistic movements is coupled with active concern for the development of Polish national art and preservation of its autonomous ethnographic elements in their pure form.

The publication was produced at the National Printing House, situated at 44 Chłodna Street in Warsaw.

A series of radio programmes reviews by Koffler appeared in a regular column initially bearing this title (subsequently renamed to Muzyka) in the weekly periodical Antena between 1935 and 1936.

These systematic "musical reports" chronicled the composer's perspectives as a radio listener, offering significant critical insights and commentary. During this period, analogous reports were published alternately with Koffler by Zdzisław Jachimecki, Tadeusz Szeligowski, and Witold Noskowski.